Image 1 of π’Ÿπ“‡π‘’π’Άπ“‚π“Ž π΅π“π“Šπ‘’, Toadstool Princess - Linocut Print Image 2 of π’Ÿπ“‡π‘’π’Άπ“‚π“Ž π΅π“π“Šπ‘’, Toadstool Princess - Linocut Print Image 3 of π’Ÿπ“‡π‘’π’Άπ“‚π“Ž π΅π“π“Šπ‘’, Toadstool Princess - Linocut Print Image 4 of π’Ÿπ“‡π‘’π’Άπ“‚π“Ž π΅π“π“Šπ‘’, Toadstool Princess - Linocut Print Image 5 of π’Ÿπ“‡π‘’π’Άπ“‚π“Ž π΅π“π“Šπ‘’, Toadstool Princess - Linocut Print

π’Ÿπ“‡π‘’π’Άπ“‚π“Ž π΅π“π“Šπ‘’, Toadstool Princess - Linocut Print

$120.00
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Limited Edition of 23 prints, printed on handmade light blue cotton rag paper these hand-torn pieces are roughly 8 1/2 x5 1/2. There are only 4 in this edition printed in this blueish cotton rag paper.
Prints are Framed best with 11x14 black matte paper. Each print will come attached to the black paper but can be easily yet carefully removed.

Every single one of my prints is hand-printed and not a reproduction.
There are many different printmaking techniques.
Traditional printmaking techniques include relief printing, lithography, intaglio printing, and screen printing. At the moment, I prefer linocut printmaking which is a type of relief printing. All of my prints are created using this process.
First I start by drawing the image desired to carve onto a block of linoleum. Areas to remain the color of the surface being printed on are carved from the block first. Then the ink is rolled onto the uncut surface of the block. I then lay the paper on top of the block, first attaching the tabs that hold the paper in place so that each time I lay down the paper the image is transferred with complete registration. When the paper has been removed the image then appears in reverse.


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